I love a strong piece of paper. It lends to so many variations of shape. These are single pieces of Bristol cut and shaped by hand. These pieces seem to be accumulating into a narrative. The simpler pieces suggest mortality and the vulnerable aspect of nature. Those that are molded into more complex shapes, mime aspects of nature. I plan to re-size these pieces into 6 feet tall sculptures. I want to use these existing pieces as a model for the larger ones. The plan is to include metal sculpture to help balance the fragile paper pieces. The metal sculptures- intended to convey the infallible aspects of the natural world.
Wednesday, August 29, 2012
Nature and Paper
I love a strong piece of paper. It lends to so many variations of shape. These are single pieces of Bristol cut and shaped by hand. These pieces seem to be accumulating into a narrative. The simpler pieces suggest mortality and the vulnerable aspect of nature. Those that are molded into more complex shapes, mime aspects of nature. I plan to re-size these pieces into 6 feet tall sculptures. I want to use these existing pieces as a model for the larger ones. The plan is to include metal sculpture to help balance the fragile paper pieces. The metal sculptures- intended to convey the infallible aspects of the natural world.
Sunday, August 26, 2012
Thursday, August 23, 2012
Reach
‘Reach’
is a 3D object built around the idea of an arm in kinetic motion.
When
I first began the building process I thought that I would build with wood pieces; toothpicks
gorilla glued into squares of different sizes. I thought that the fragility of
the thin wood would read well and give a different sensibility to the human
form. During the process I decided to create other shapes, diamond and triangle
shapes as well. The gorilla glue expanded into the side of the squares which
enhanced the expression of the basic shape by distorting it.
I
started to agree more with this distortion as I continued in my process. I
trimmed the shapes to give a clean exterior but left the gorilla glue as is. I
painted the shapes with a stark yellow color that gave an unnatural effect;
this choice became a part of the journey, it helped define where I would go to
next. The yellow also seemed to add a clear definition so, there seemed to be a
visual contrast of distortion and clarity. The color was
a beautiful bright red which alludes to the idea of veins inside an arm.
This
version of an arm is conceptual and abstract. There is a picture located at the
very top of a hand in motion. Its abstract shape is intended to refer to an arm
in motion rather than the exterior shape of an arm. It will bend easily without
breaking and is mobile, it can move with a wind source. Its shape can be
changed at any time. It is mounted on a slanted black foam board to enhance the
idea of mobility. The piece could be placed on the floor or mounted on a wall
or ceiling.
I
am inspired to create many versions of these arms since there are so many
variables of outcome. Even through this process has been time consuming the end
product was exciting and rewarding.
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